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MeterKnow when it’s ready

Ripeness

Know what you’re actually sending. LUFS, true peak, a target for every platform you have to hit, and your tone next to commercial masters or your own references. Free, permanently.

RipenessMeter
Berry FXBerryFX

Small-batch audio software

Meter

Know when it’s ready.

VST3AUAAXStandalone

macOS · Windows · 64-bit

Freepermanently
  • The whole meter, nothing withheld
  • A real license that never expires
  • 2 machines, no upgrade to buy
  • Free updates within the version
Get Ripeness Free

Windows and macOS.
A free account, and no card.

Ripeness is free because a meter shouldn’t be the thing standing between you and knowing what you’re sending. If it earns its place, the rest of the shelf is how we keep making things.

6
delivery targets
7
read-outs at once
8×
true-peak oversampled
10:00
loudness history

A closer look

Every screen, up close.

Integrated LUFS at the center with the verdict beneath it, ringed by momentary, short-term, true peak, range, dynamics and correlation.

Ripeness, In spec
In spec

Integrated LUFS at the center with the verdict beneath it, ringed by momentary, short-term, true peak, range, dynamics and correlation.

Six deliveries, one target

It knows the spec. You don’t have to.

Tell it where your track is headed and Ripeness already knows what that platform wants. It shows you if you’re there yet, or how far off. No spec sheet needed.

Music

−14 LUFS. What streaming normalizes to.

Podcast

−16 LUFS. Where spoken word sits.

Broadcast

−23 LUFS. EBU R128, to the half-decibel.

Streaming video

−27 LKFS. Plenty of room for dialogue.

TV spot / PSA

−24 LKFS. ATSC A/85, the CALM Act.

Radio / web

−19 LUFS. The loud end of the dial.

Why we built this

Know what you’re sending.

Every platform turns your master to its own number. Music streaming to −14, podcasts to −16, broadcast to −23, streaming video to −27. Send it too loud and it gets turned down, and the dynamics you set so carefully go with it. Too quiet and it’s the timid one in the playlist.

Most meters show you the number. What they don’t tell you is whether it’s the right number for the job in front of you. So you end up with a spec sheet in one hand and a LUFS reading in the other, doing the arithmetic yourself at two in the morning.

So Ripeness starts from the delivery, not the number. Pick music, podcast, broadcast, streaming, a TV spot or radio, and it tells you plainly whether you’re in spec, or by how much you’re out. True peak, loudness range, dynamics and stereo, all around one dial, with up to ten minutes of history showing how you got here. And when the loudness is right, the Spectrum view shows how your tone sits next to commercial masters or your own references.

And it’s free, and always will be. Knowing what you’re sending shouldn’t cost a thing. That’s Ripeness.

The Berry FX Team

What it is

Inside the box.

The target, not just the number

Pick the delivery (music, podcast, broadcast, streaming video, TV spot, radio) and the meter tells you whether you are in spec, rather than making you remember what −16 LUFS was for.

Everything at once

Momentary, short-term and integrated LKFS, true peak accurate to 20 kHz, loudness range, PSR dynamics and stereo correlation, around one dial. Up to ten minutes of short-term history shows how you got here.

See your tone

The Spectrum view draws the average tone of your mix from 20 Hz to 20 kHz over a target range, from a standard slope, a genre curve, or up to eight of your own reference tracks. Low, low-mid, high-mid and high each tell you if they’re above, in or below the range, and you can solo any of them for 30 seconds to hear it.

Measure a song without playing it

Drop a finished song on the history window and it measures the whole thing in seconds. You get its short-term curve, integrated loudness, peaks and range checked against your target, and you can export it all as a PDF, PNG or CSV report.

Your own targets

Change the target, ceiling and tolerance of any delivery and the buttons use your numbers from then on. One click puts a target back to its published spec. Targets run from −31 up to −4 LUFS, so a loud master has one too.

Specification

Standard
ITU-R BS.1770-4 / EBU R128
True peak
Oversampled dBTP, flat to 20 kHz
Readouts
M, S, I, TP, LRA, PSR, correlation
Spectrum
20 Hz to 20 kHz, 60 bands
History
Up to 10 minutes
Reports
PDF, PNG, CSV

Runs on

macOS

macOS

10.15 or later

Windows

Windows

10 or later, 64-bit

Formats

Windows
VST3 · AAX · Standalone
macOS
VST3 · AU · AAX · Standalone
License
Free, 2 machines, no expiry
Trial
30 days before you claim it, then permanent
Updates
Free within the major version

Requirements. Windows 10 or later, 64-bit. macOS 10.15 or later, Intel or Apple silicon. A VST3, AU, or AAX host. No iLok and no dongle. Your license is a signed string this machine checks by itself.

Works with

VST3AUAAX
Logic Pro
Logic Pro
Pro Tools
Pro Tools
Ableton Live
Ableton Live
GarageBand
GarageBand
Studio One
Studio One
FL Studio
FL Studio
Cubase
Cubase
Reason
Reason
Cakewalk
Cakewalk
Fender Studio Pro
Fender Studio Pro
Mixcraft
Mixcraft
REAPER
REAPER
Berry FX

Ripeness is yours.

The whole meter, permanently, for nothing. Claim the license once and it never asks you again.

Already claimed it? Activate a machine